Where I Am

I know this looks bad, to quote Matt Fraction.

It’s 2:40 in the morning as I start this post. It’s Tuesday. I’m up in the middle of the goddamn night on a Tuesday. A work day. Two weeks ago, I’d have been beside myself. I woke up at six thirty on most days. Four and a half hours of sleep would not have carried the day.

That was when I had a job.

So, it’s okay I’m up at this hour, at least for now. This is, after all, a familiar feeling. I have found that through the years I’ve done good creative work at this hour when everything else is still. No distractions. No phone ringing. No obligations. No expectations. Back when I had supermarkets that were open all night regionally, before the rising gas prices and recessions put Acme’s doors in a locked position overnight, I enjoyed watching drunks and night owls wander the aisles (drunk grocery shopping was a kind of awesome activity that used to happen in wilder years). It’s great some of the things you see at this hour. Folks do things at the odd hours of night that you’d never see them do at any other time of day. There’s so many things we take for granted happening in our sleep. Garbage trucks, street sweepers, cops, construction – and yes, seedy things too that I have had good fortune to stay away from. There’s a lot to see. We usually spend that third of our life asleep during these times and we abandon this side of the world – or most of us do. I have a reputation of being the kind of person who loves the sun – and damn do I love long days in summer – but ask any of my college friends… I’ve always gotten a kind of kick out of the night when I’m allowed some time to run around in it without worrying about the consequences otherwise.

Which I suppose says something about me and a lot of other creatives. Maybe it’s the old ties to lunacy; the belief that when the moon waxes full and it hangs high in the night sky, wild and primal stuff comes out in people. Maybe it’s a strange cocktail of endorphins and serotonin in the blood that comes from interrupted sleep or restlessness. Maybe it’s just the knowledge that by being awake when everyone else is asleep that you’re bucking the rules, slapping your expectations in the face and deciding that you’re the one who gets to decide when to wake and when to sleep. I’ve always liked that perspective. Rise up, stand against what the rest of your peers say and do. Carve a highway through the darkest of nights and light the striped lines on the pavement with your high beams.

Living during the night is a strange kind of freedom, especially in the twenty-four hour a day realm of commerce we have whether we want it or not.

 

A Few Changes

Hi all, you may note some changes to the blog. Some of the older image links are broken, but the database content and featured images are all still running smoothly. I’ve been moving the blog between hosts and doing some cleaning due to recent life events.

I’m also pleased to say that I’ll be doubling down on this thing. I find myself with a lot more time. This will be put toward certain endeavors that I find infinitely more worthwhile than what I’ve been doing. The work I did before had merit and value, but my creative craft – my passion – is what defines me. And while I have time to tend to it, I intend to hit it with both barrels. It’s refreshing to take away what you let define you in the past. It reminds me of who you are.

What I am is a creative.

I write. I draw. I make.

Here’s to creativity.

The Pacific Northwest

An odd entry you might think. A whole year of writing short stories one a week, with a note to blog once a week and… we’re talking about regions of America?

Well, there’s a tie in.

I’ve never had the opportunity to go to the Pacific Northwest, but I feel like  I’ve been there. The region calls to me to be perfectly honest. For about a year, I was seized by a kind of madness. I did a lot of research into the Portland area. It seems like a place where the arts are feasible as a way of making a living. Weird stuff comes from it. Most importantly, it’s where Powell’s Books is – a kind of mecca to the passionate bibliophile. I’d love to live there I think.

But if I want to be really honest, I’m attracted to the Pacific Northeast because of Shadowrun. The Emerald City is the nexus for all things Shadowrun. In the continuity of Shadowrun, Seattle is a unique city because it’s a treaty city. It’s surrounded by mostly unsympathetic new nations (most of which administered by Native American Nations that rose to power in North America on a waxing tide of magic), and extraterritorial corporate holdings. It’s a smuggler’s paradise and home to corporate intrigue because of nothing more than proximity to extralegal oppotunity. I spent years of my life playing RPGs set in this universe and came to identify with the Native American art that came from it (extensively featured in early editions of the game), the literary genres that it espoused (both sci-fi and fantasy), and the wariness of trusting anyone with too much power or ambition (never, EVER, deal with Dragons).

If that wasn’t enough, a top five favorite series, Dead Like Me, is also part and parcel, a Seattle-centric thing. The tale of Georgia Lass becoming a Grim Reaper is set among the fir trees and moss covered shingles of the Seattle area.

Top it off with my new found interest in a show I missed as a kid, Twin Peaks, and you can see why I turn my eye repeatedly to the region. It’s a place I have seen in film, television, and culture (RPGs are a cultural thing – just accept this) that it’s a place I should like to go to sooner rather than later.

It’s a place with good stories behind it (did you know there’s an entire, somewhat preserved city beneath Seattle proper?) and good stories set in it (Like Stumptown, a crime comic set in Portland).

Maybe I can get some inspiration if I head out there and see it for myself. I think it’s a goal I should set for the next two years – get to the Pacific Northwest. My girlfriend can visit her family out there  and we can see the sites.

We’ll put that under the resolutions column and call it at that for now.

But, more than anything else, I have stories from there even though I’ve never been. That’s the power of good stories I guess – being able to take the reader to a place they have never smelled, or heard, or touched but make it still feel tangible and brimming with potential, and maybe even bring them there to see it for themselves. I try to get a little of that with my stories too – I want you to see the strange and alien vistas in my head. Kowloon-M, the world of the Rigored, the Servants of the Road, Ossua itself. I think that people might like these places I’ve created and fostered behind my eyes and between my ears.

Maybe they could become your Seattles.

Let’s work on that shall we?

I’ve set out to edit both Haints and the R’yleh Anomaly this weekend – one with a world estranged from our own, and another where the familiar hides only the unfathomable. If it is successful, those stories will come down from the site and the shopping process will begin.

And that’s what I have for the week, folks. Read in good health.

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